The Art Ensemble of Chicago is an avant-garde jazz ensemble that grew out of Chicago's AACM in the late 1960s. The group continues to tour and record through 2006, despite the deaths of two of the founding members.

Members of what was to become the Art Ensemble performed together under various band names in the mid-sixties, releasing their first album, Sound, as the Roscoe Mitchell Sextet in 1966. The Sextet included saxophonist Roscoe Mitchell, trumpeter Lester Bowie and bassist Malachi Favors Maghostut, who over the next year went on to play together as the Roscoe Mitchell Art Ensemble. In 1967 they were joined by fellow AACM members Joseph Jarman (saxophone) and Philip Wilson (drums), and made a number of recordings for Nessa.

In 1969 the band members (minus Wilson, who had left to join Paul Butterfield's band) travelled to Paris, where they became known as the Art Ensemble of Chicago. The immediate impetus for the name change came from a French promoter who added "Chicago" to the name for purely descriptive purposes, but the new name stuck because band members felt that it better reflected the cooperative nature of the group. In Paris the ensemble played briefly as a drummerless quartet before welcoming percussionist Famoudou Don Moye to the group in 1970. The ensemble returned to the United States in 1972, and the quintet of Mitchell, Jarman, Bowie, Favors and Moye remained static until 1993.

In 1970 the ensemble recorded two albums with Fontella Bass, then Lester Bowie's wife. These were The Art Ensemble of Chicago with Fontella Bass and Les Stances A Sophie. The latter was the soundtrack from the French movie of the same title. Bass' vocals, backed by the powerful pulsating push of the band has allowed the Theme De YoYo to remain an underground cult classic ever since.

Upon their return to the States members of the group made the decision to restrict their appearances together, allowing each player to pursue other musical interests. It seems likely that this has contributed to the longevity of the ensemble. Despite the self-imposed limitations the Art Ensemble managed to release more than 20 studio recordings and several live albums between 1972 and 2004.

The makeup of the ensemble changed in 1993, when Jarman retired from the group to focus on his practice of Zen and Aikido. Bowie died of liver cancer in 1999, and the group continued as a trio (featuring a number of guest artists in their performances) until 2003, when Jarman rejoined the ensemble. In January of 2004 Favors Maghostut died suddenly during the recording of the group's latest album, Sirius Calling. The group was joined for their 2004 tour by trumpeter Corey Wilkes and bassist Jaribu Shahid, but it remains to be seen whether they will become permanent members of the ensemble, though a 2 CD live release by this quintet from 2004 is scheduled for release in 2006 on Pi Recordings.

The Art Ensemble is notable for its focus on multi-instrumentalism and its use of "little instruments" in addition to the traditional jazz lineup of saxophones, trumpet, bass and drums, as well the costumes and face paint band members wear while performing. These two characteristics combine to make the ensemble's performances as much a visual spectacle as an aural one, with each musician playing from behind a large array of drums, bells and other instruments.

Ensemble members embrace the performance art aspects of their concerts, believing that they allow the band to move beyond the strict limits of "jazz". Their operating motto is "Great Black Music: Ancient To the Future", which allows them to explore a wide variety of musical styles and influences; the band's distinctive appearance on stage also reflects this motto. As Jarman describes it,

:So what we were doing with that face painting was representing everyone throughout the universe, and that was expressed in the music as well. That's why the music was so interesting. It wasn't limited to Western instruments, African instruments, or Asian instruments, or South American instruments, or anybody's instruments. (Joseph Jarman interview )

References

*Shipton, Alyn. A New History of Jazz. London: Continuum, 2001.
*Art Ensemble of Chicago Website. http://www.artensembleofchicago.com/ Retrieved January 11, 2005.
*art ensemble of chicago discography. http://www.geocities.com/BourbonStreet/Delta/8835/art.html Retrieved January 11, 2005.
*../ogbkg.jpg Ensemble of Chicago biography on the AACM's website . http://aacmchicago.org/groups/AECO.html Retrieved January 11, 2005.
*Sanders, Seth (April 29, 2004). 'After 32 years, Art Ensemble of Chicago returns to Mandel Hall to play its "great black music, ancient to future"'. University of Chicago Chronical. http://chronicle.uchicago.edu/040429/artensemble.shtml Retrieved January 11, 2005.
*Joseph Jarman interview. http://www.furious.com/perfect/jarman.html Retrieved January 11, 2005.

Category:Jazz ensembles